Oscars 2025 predictions

(All views are personal.)


The Oscars 2025: The Grand Scam, The Ultimate Illusion, The Year We Pretended It Mattered.

 This is not an award show. This is a gladiatorial battle disguised as a champagne party. A place where egos duel in tuxedos, and careers are made, saved, or quietly buried under a standing ovation. And this year?

This year is a masterpiece of self-delusion. Let's dig in.







BEST PICTURE – The Movie That Will Be Declared “A Generation-Defining Masterpiece” Until Next Week


Winner Prediction: Anora.

Because Hollywood loves an indie movie just enough to keep film students hopeful. Sean Baker made a film that feels too real for the people voting for it. They’ll give it the trophy as a symbolic gesture, then go back to greenlighting superhero reboots.


Personal Narrative:


I watch movies because I love pain. Not the physical kind, but the existential kind, the why-doesn’t-the-world-appreciate-greatness kind. Watching Anora win is like watching an underdog boxer knock out the champ, only for the promoter to still hand the belt to the guy on the floor. It’s winning, but only in a way that makes you question what winning even means.


Director’s Narrative:


Sean Baker is that guy who makes movies about people Hollywood pretends to care about. His films feel like eavesdropping on conversations in a corner store at 2 AM. The Academy, full of people who’ve never had a real 2 AM moment, will pretend they get it, while nervously checking their Rolexes.


Is Cinema Worth It for This?


Yes. But only because the alternative is Dune: Part Two winning, which means we’d have to endure another year of people pretending they suddenly understand Frank Herbert’s metaphors.



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BEST DIRECTOR – The Genius Whose Movie Will Be Misunderstood by 90% of the Voters.


Winner Prediction: Denis Villeneuve (Dune: Part Two)


Because Hollywood needs to atone for their past sins. They ignored Blade Runner 2049, and now they have to overcompensate by throwing him the big golden statue. He’s basically the director's version of an indie band that finally gets a Grammy when they’ve already started playing stadiums.


Personal Narrative:


Denis is that guy you recommend to your “Marvel-only” friend, only for them to text you an hour later saying, “Dude, I don’t get it.” And that’s the tragedy. He makes big films with big ideas, and most people just stare at the sandworms like they're waiting for a boss fight in a video game.


Director’s Narrative:


Villeneuve directs movies that feel like poetry written by an alien species. His pacing makes studios nervous. His cinematography makes casual viewers restless. And yet, here we are—pretending Hollywood has the patience for a director who treats blockbusters like philosophy essays.


Is Cinema Worth It for This?


It has to be. Because if we don’t reward filmmakers who take risks, we’ll end up living in a world where the Fast & Furious franchise is studied in film schools unironically.



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BEST ACTOR – The Man Who Will Be Memed to Death by Film Twitter.


Winner Prediction: Timothée Chalamet (A Complete Unknown)


Because if you play a legendary musician, the Academy assumes you are one. Chalamet will mumble, wear weird hats, and somehow make Dylan’s voice sound even more unintelligible, and voters will call it “a revelation.”


Personal Narrative:


There’s something cosmic about Chalamet winning. It’s like watching a 12-year-old chess prodigy beat a room full of grown men. Everyone knows it was inevitable, but nobody’s happy about it.


Director’s Narrative:


James Mangold is the king of “serious biopics with just enough rockstar energy to keep middle-aged critics engaged.” He makes movies that make people say, “I wasn’t a fan of [insert musician here] before, but now I get it.” This will be his final trick: making us all believe Chalamet is Dylan.


Is Cinema Worth It for This?


Yes. But only because if he wins, at least we won’t have to deal with people saying Saltburn was an “acting masterclass” anymore.



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BEST ACTRESS – The "We Need to Fix Our Mistakes" Award.



Winner Prediction: Demi Moore (The Substance)


Because Hollywood loves a comeback more than it loves originality. The Academy will pretend they’ve been rooting for her this whole time, as if they weren’t the ones who discarded her in the first place.


Personal Narrative:


Watching Demi Moore win will be like watching your high school crush suddenly become wildly successful, and you, a coward, will say, “I always knew she had it in her.” But deep down, you know you didn’t.


Director’s Narrative:


Coralie Fargeat makes body horror films that make Hollywood executives nervous because they force them to confront their own decaying industry. Moore's performance is a giant middle finger to every producer who wrote her off decades ago.


Is Cinema Worth It for This?


Absolutely. Because nothing is funnier than watching old Hollywood execs pretend they always respected Demi Moore.



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BEST SUPPORTING ACTOR – The "Scene-Stealer Who Made the Lead Look Boring" Award


Winner Prediction: Robert Downey Jr. (Oppenheimer)


Because Hollywood loves a redemption arc, and RDJ finally reminded everyone he was a serious actor before he started making quips in an iron suit.


Personal Narrative:


There is a beauty in RDJ winning. It’s like watching a retired fighter walk into the ring and knock someone out in the first round. He did it effortlessly, and everyone in the room knows it.


Director’s Narrative:


Christopher Nolan made a movie so powerful, people forgot he usually only casts actors who sound like they’re auditioning for a Batman villain role. RDJ delivered a performance so good it made people rethink their entire perception of him.


Is Cinema Worth It for This?


Yes. But also, let’s be real: RDJ winning this is just another excuse for people to post the “I love you 3000” meme again.





THE FINAL VERDICT: 2025 – The Year We Pretended This Wasn't Rigged


The Oscars are not about rewarding art. They’re about the story Hollywood wants to tell about itself. And this year’s story is about redemption, prestige, and a sprinkle of indie credibility.


If Anora wins → Indie cinema “lives” (for about 24 hours).


If Dune: Part Two wins → Sci-fi nerds will scream “Finally!” while still being mad at the Academy for ignoring 2001: A Space Odyssey decades ago.


If Chalamet wins → Expect 30-minute YouTube essays titled “Timothée Chalamet: The New Brando?”


If RDJ wins → The Marvel fanboys will pretend Oppenheimer was an Iron Man spin-off.



At the end of the day, the Oscars are just another blockbuster. But hey, at least they give us something to argue about until next year.




views are personal lol.

thankyou,


written and published by

vvu.

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